People

Organizing Committee

  • Stefania Serafin (MELab, Aalborg University, Copenhagen, Denmark)
  • Rolf Nordahl (MELab, Aalborg University, Copenhagen, Denmark)
  • Francesco Ganis (MELab, Aalborg University, Copenhagen, Denmark)
  • Razvan Paisa (MELab, Aalborg University, Copenhagen, Denmark)
  • Cumhur Erkut (MELab, Aalborg University, Copenhagen, Denmark)
  • Prithvi Ravi Kantan (MeCIS, Aalborg University, Copenhagen, Denmark)
  • Daniel Overholt (MeCIS, Aalborg University, Copenhagen, Denmark)
  • Simon Rostami (MELab, Aalborg University, Copenhagen, Denmark)
  • Anders Riddersholm Bargum (MELab, Aalborg University, Copenhagen, Denmark)
  • Ali Adjorlu (MELab, Aalborg University, Copenhagen, Denmark)
  • Doga Buse Cavdir (CCRMA, Stanford University, CA, USA)
  • Silvin Willemsen (Eindhoven University of Technology, Eindhoven, Netherlands)
  • Federico Fontana (Università degli Studi di Udine, Udine, Italy)
  • Jesper Andersen (Royal Danish Accademy of Music, Copenhagen, Denmark)
  • Thomas Albert Rushton (MELab, Aalborg University, Copenhagen, Denmark)

DAFx Board

  • Daniel Arfib (CNRS-LMA, Marseille, France)
  • Peter Balazs (Acoustics Research Institute, Austrian Academy of Sciences)
  • Nicola Bernardini (Conservatorio di Musica “Cesare Pollini”, Padova, Italy)
  • Stefan Bilbao (University of Edinburgh, UK)
  • Philippe Depalle (McGill University, Montreal, Canada)
  • Giovanni De Poli (CSC-DEI, University of Padova, Italy)
  • Myriam Desainte-Catherine (SCRIME, Université de Bordeaux, France)
  • Markus Erne (Scopein Research, Aarau, Switzerland)
  • Gianpaolo Evangelista (University of Music and Performing Arts, Vienna, Austria)
  • Simon Godsill (University of Cambridge, UK)
  • Robert Höldrich (IEM, University of Music and Performing Arts, Graz, Austria)
  • Pierre Hanna (Université de Bordeaux, France)
  • Jean-Marc Jot (DTS, CA, USA)
  • Victor Lazzarini (National University of Ireland, Maynooth, Ireland)
  • Sylvain Marchand (L3i, University of La Rochelle, France)
  • Damian Murphy (University of York, UK)
  • Søren Nielsen (SoundFocus, Arhus, Denmark)
  • Markus Noisternig (IRCAM – CNRS – Sorbonne University / UPMC, Paris, France)
  • Luis Ortiz Berenguer (ETSIS Telecomunicación – Universidad Politécnica de Madrid, Spain)
  • Geoffroy Peeters (IRCAM, France)
  • Rudolf Rabenstein (University Erlangen-Nuremberg, Erlangen, Germany)
  • Davide Rocchesso (University of Palermo, Italy)
  • Jøran Rudi (NoTAM, Oslo, Norway)
  • Mark Sandler (Queen Mary University of London, UK)
  • Augusto Sarti (DEI – Politecnico di Milano, Italy)
  • Lauri Savioja (Aalto University, Espoo, Finland)
  • Xavier Serra (Universitat Pompeu Fabra, Barcelona, Spain)
  • Julius O. Smith (CCRMA, Stanford University, CA, USA)
  • Alois Sontacchi (IEM, Univ. of Music and Performing Arts, Graz, Austria)
  • Jan Tro (Norwegian University of Science and Technology, Trondheim, Norway)
  • Vesa Välimäki (Aalto University, Espoo, Finland)
  • Udo Zölzer (Helmut-Schmidt University, Hamburg, Germany)

DAFx Programme Committee

  • Alexander Adami, IIS Fraunhofer Institut
  • Benoit Alary, IRCAM
  • Adrian Artacho, University of Music and Performing Arts Vienna
  • Federico Avanzini, University of Milan
  • Isabel Barbancho, Universidad of Málaga
  • Stefan Bayer, International Audiolabs Erlangen
  • Jose R Beltran, University of Zaragoza
  • Gilberto Bernardes, University of Porto
  • Stefan Bilbao, The University of Edinburgh
  • Ivica Bukvic, Virginia Tech
  • Guilherme Campos, University of Aveiro
  • Sergio Canazza, University of Padova
  • Elliot Canfield-Dafilou, Institut Jean le Rond ∂’Alembert, Sorbonne Université/CNRS
  • F. Amílcar Cardoso, DEI, CISUC, University of Coimbra
  • Thibaut Carpentier, Ircam
  • Jason Corey, University of Michigan
  • Gloria Dal Santo, Aalto University
  • Stefano D’Angelo, dangelo.audio
  • Roger Dannenberg, Carnegie Mellon University
  • Orchisama Das, CCRMA, Stanford University
  • Vincent Debut, CTN/IST/UTL
  • Kristjan Dempwolf, PreSonus Software
  • Sascha Disch, Fraunhofer
  • Christian Dittmar, Fraunhofer
  • Maurício Do Vale Madeira da Costa, Federal University of Rio de Janeiro and Télécom-ParisTech/Université Paris-Saclay
  • Michele Ducceschi, University of Bologna
  • Lars Engeln, Chair of Mediadesign, Technische Universität Dresden
  • Philippe Esling, IRCAM
  • Fabian Esqueda, Aalto University
  • Gianpaolo Evangelista, MDW Univ.
  • Jon Fagerström, Aalto University
  • Christof Faller, Illusonic GmbH
  • Leonardo Fierro, Aalto University
  • Federico Fontana, University of Udine
  • Diamantino Freitas, University of Porto
  • Anastasia Georgaki, University of Athens
  • Michele Geronazzo, Department of Engineering and Management, University of Padova
  • Jean-Louis Giavitto, IRCAM – UMR STMS 9912 CNRS
  • Dan Gillespie, Newfangled Audio
  • Bruno Gingras, Department of Computing, Goldsmiths, University of London
  • Joachim Heintz, HMTM Hannover
  • Robert Hoeldrich, University of Music and Performing Arts Graz
  • Nicki Holighaus, Acoustics Research Institute, Austrian Academy of Sciences
  • Bo Holm-Rasmussen, Technical University of Denmark
  • Andrew Horner, The Hong Kong University of Science and Technology
  • Alexander Refsum Jensenius, University of Oslo
  • Pierre Jouvelot, Mines Paris, PSL University
  • David Kim-Boyle, The University of Sydney
  • Filipe Cunha Monteiro Lopes, Escola Superior de Media Artes e Design – IPP
  • Alexey Lukin, iZotope, Inc.
  • Eric Lyon, VT
  • Piotr Majdak, Acoustics Research Institute, Austrian Academy of Sciences
  • Sylvain Marchand, University of La Rochelle
  • Thomas Mejstrik, University of Vienna
  • Thomas Mejstrik, University of Vienna
  • Romain Michon, CCRMA
  • Fabio Morreale, The University of Auckland
  • Shahan Nercessian, iZotope, Inc.
  • Søren Nielsen, SoundFocus
  • Oriol Nieto, Pandora Media, Inc.
  • Stavros Ntalampiras, University of Milan
  • Rui Pedro Paiva, University of Coimbra
  • Julian Parker, Native Instruments
  • Sandra Pauletto, KTH Royal Institute of Technology
  • Miller Puckette, University of California San Diego
  • Marcelo Queiroz, Computer Science Department – University of São Paulo
  • Rudolf Rabenstein, University Erlangen-Nuremberg
  • Stephane Ragot, ORANGE
  • Pavel Rajmic, Brno University of Technology
  • Gaël Richard, Telecom Paris
  • Davide Rocchesso, Università degli Studi di Palermo
  • Antonio Roda, University of Padova
  • Axel Roebel, IRCAM
  • Robert Rowe, New York University
  • David Roze, STMS lab, CNRS-IRCAM-SU
  • František Rund, CTU FEE
  • Sigurd Saue, Nomono AS
  • Carla Scaletti, Symbolic Sound Corporation
  • Maximilian Schäfer, Friedrich-Alexander Universität Erlangen-Nürnberg
  • Jiri Schimmel, Brno University of Technology
  • Rod Selfridge, Edinburgh Napier University
  • Sertan Şentürk, Universitat Pompeu Fabra
  • Stefania Serafin, Aalborg University
  • Xavier Serra, Universitat Pompeu Fabra
  • Kai Siedenburg, Carl von Ossietzky University of Oldenburg
  • Martin Supper, Berlin University of the Arts
  • Tapio Takala, Aalto University
  • Tony Tew, University of York
  • Etienne Thoret, Schulich School of Music, McGill University
  • Vesa Valimaki, Department of Signal Processing and Acoustics, Aalto University School of Electrical Engineering
  • Maarten Van Walstijn, Queen’s University Belfast
  • Gualtiero Volpe, InfoMus-DIST-University of Genoa
  • Henrik von Coler, TU Berlin
  • Russell Wedelich, Eventide Inc
  • Jeremy Wells, Creative Ltd.
  • Kurt Werner, iZotope, Inc.
  • Silvin Willemsen, Eindhoven University of Technology
  • Alec Wright, Aalto University
  • Stefano Zambon, MIND Music Labs